Theodore Gericault
French Romantic Painter, 1791-1824 Born in Rouen, France, Gericault was educated in the tradition of English sporting art by Carle Vernet and classical figure composition by Pierre-Narcisse Gu??rin, a rigorous classicist who disapproved of his student impulsive temperament, but recognized his talent. The Charging Chasseur, 1812.Gericault soon left the classroom, choosing to study at the Louvre instead, where he copied from paintings by Peter Paul Rubens, Titian, Diego Vel??zquez, and Rembrandt for about six years, from 1810 to 1815. There he found a vitality which he preferred to the prevailing school of Neoclassicism.
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Theodore Gericault louise bro oil painting


louise bro
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Painting ID::  69548 		Theodore Gericault
louise bro
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Theodore Gericault portrait d' homme dit le vendeeen oil painting


portrait d' homme dit le vendeeen
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Painting ID::  69549 		Theodore Gericault
portrait d' homme dit le vendeeen
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Theodore Gericault jeune garcon oil painting


jeune garcon
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Painting ID::  69550 		Theodore Gericault
jeune garcon
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Theodore Gericault Wounded Cuirassier oil painting


Wounded Cuirassier
Date ca. 1814(1814) Medium Oil on canvas Dimensions 55.2 X 46 cm (21.73 X 18.11 in) cyf
Painting ID::  72980 		Theodore Gericault
Wounded Cuirassier
Date ca. 1814(1814) Medium Oil on canvas Dimensions 55.2 X 46 cm (21.73 X 18.11 in) cyf
   
   
     
Theodore Gericault Chargingchasseur oil painting


Chargingchasseur
Charging Chasseur by Theodore Gericault Date 1812 cyf
Painting ID::  75194 		Theodore Gericault
Chargingchasseur
Charging Chasseur by Theodore Gericault Date 1812 cyf
   
   
     
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     Theodore Gericault
     French Romantic Painter, 1791-1824 Born in Rouen, France, Gericault was educated in the tradition of English sporting art by Carle Vernet and classical figure composition by Pierre-Narcisse Gu??rin, a rigorous classicist who disapproved of his student impulsive temperament, but recognized his talent. The Charging Chasseur, 1812.Gericault soon left the classroom, choosing to study at the Louvre instead, where he copied from paintings by Peter Paul Rubens, Titian, Diego Vel??zquez, and Rembrandt for about six years, from 1810 to 1815. There he found a vitality which he preferred to the prevailing school of Neoclassicism.

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